#Expressive e touche se automation software#
The controller can eliminate the need for automation allowing you to. Touch (pronounced ' Too-shay' ) SE is a combination of a robust bus-powered USB hardware controller with patented multi-dimensional control plate mechanism - allowing the user to interact with software instruments using multiple axes of movement at once. It just didn't do what I was looking for. The Expressive E Touch SE is a more affordable version of the Touche controller. I came to the conclusion that it was well built, well conceived, quite beautiful as an object, and had real potential for some of the percussive uses that are showcased in just about every demo. There's some value to having a little interplay to keep things more organic, I guess but in conjunction with the other issues it led to me returning the device. Touch SE (Software Edition) shares the same build quality, patented mechanism and sound library as the classic Touch, refined with USB-only connectivity for software instruments applications. This was especially notable when trying to use the "learn" function, because it's tricky to press the heel without triggering at least a little toe action, and either one tends to induce enough lateral motion to set off yet another CC even with tension relatively high. Intuitively tap, push and slide your fingers across the touch-plate surface to create extraordinary performances in seconds. without an extra set of hands or an extensive amount of automation. Lastly, it's difficult to adjust one axis completely independently from the others. Shop and save on the Touche SE USB Expression Controller at Woodwind & Brasswind. The sensitivity is somewhat adjustable, but you're always dealing with the fact that fully on and fully off aren't differentiated in by more than a very limited amount of travel. Secondly, I found it difficult to produce slow, smooth gradients because the range of motion just isn't long enough. Get ready to unlock expression in your music more easily than you might ever have imagined was possible. Get ready to unlock expression in your music more easily than you might ever have. Intuitively tap, push and slide your fingers across the touch-plate surface to create extraordinary performances in seconds. Intuitively tap, push and slide your fingers across the touch-plate surface to create extraordinary performances in seconds. Turn Simple Gestures Into Complex, Lively Sounds With The Expressive E TouchE SE MIDI Controller and LiE SoftwareTouchE SE lets you make incredible new sounds, using just simple gestures. This item: Expressive E Touch SE USB Instrument Control Surface for Software Synthesizers, and Music Production Software.
#Expressive e touche se automation pro#
Li supports Ableton Live 9+, Logic Pro X, Cubase 6+, Studio One 4, Bitwig Studio 2+ and more. It's like trying to use a pitch bend wheel for expression in that you're fighting to keep a constant value, with the most obvious mappings wanting to return to zero for expression and dynamics. Touch SE lets you make incredible new sounds, using just simple gestures. The companion Li is available as a standalone app and as a VST2 and AU plug-in only. on the luxury market is the rise of e-commerce and ultimately. I had several distinct issues:įirstly, the fact that it always springs back to a default position along all axes just wasn't a good fit. Source: Deloitte Touche Tohmatsu Limited. Well built, feels sturdy - and you can replace & customise parts.I had certainly hoped it might be a good match, but I was never able to get comfortable with it. Hey everyone Since a little after NAMM i've been messing around with the Expressive E Touche SE and it is a really awesome and expressive midi controller. I would recommend going with the original Touche and not the SE if you want even more CC control. I highly recommend the Touche for orchestral composers who want to avoid using 2 or 3 sliders at once. It is a physical instrument after all.Ī small con is that it takes about 10 seconds to save any new CC controls you assign and that it took me about an hour to find the right way to load Touche only as a midi instrument (without using Lie). It might take a few days to get used to controlling the Touche on one hand, while playing your keyboard with the other - but it's worth the practice! An extra good feature is that you can control the sensitivity of the Touche (how responsive it is to your movements). You can even set up your own custom CC curves (like exponential or linear or even draw one). I'm very pleased with the results: smooth expression, much more detailed than what a slider can get you! The best feature is that you can use two CC's at once (example: vibrato and expression) and have them flawlessly combined into each other.
I got the Touche for controlling orchestral and ethnic instruments, specifically for mapping dynamics, vibrato and expression to the different axes of the Touche.
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